Terra Nova by Marianne Beate Kielland / Jan Gunnar Hoff

Various composers

Marianne Beate Kielland / Jan Gunnar Hoff

Terra Nova

Price: € ~~19.95~~ 13.97
Format: CD
Label: Lawo Classics
UPC: 7090020181370
Catnr: LWC 1125
Release date: 05 May 2017

old €~~19.95~~ new € 13.97

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1 CD ✓ in stock	€ ~~19.95~~ 13.97	old €~~19.95~~ new € 13.97 Buy

Label
Lawo Classics

UPC
7090020181370

Catalogue number
LWC 1125

Release date
05 May 2017

Album

Artist(s)

Composer(s)

About the album

All the ''pigeonholing'' and talk about genres in our day and age has led to confusion in one or another of the camps: is it jazz, is it classical, or what actually is it? With this clearly in mind, we - the classical singer and the jazz pianist - have ventured together in Terra Nova's tonal world in an attempt to create our own ''universe''. Jan Gunnar Hoff is a jazz pianist, but he composes in a style that overlaps with what can be defined as classical, with its fine melodies and melodious improvisations, and with its singable compositions. We wish to give you a genre-free musical experience, in which the music elevates the text, and in which the two of us, each in our way, bring the essence, melancholy and beauty of the music into this indefinable universe of text and melody.

Alles "Schubladendenken" oder das Einordnen in Genres hat zu Verwirrung in dem einem oder anderen Lager geführt: Ist es Jazz, ist es klassisch oder was ist es eigentlich?
Dies im Hinterkopf haben wir - eine klassische Sängerin und ein Jazzpianist - gemeinsam durch die Klangwelt von Terra Nova versucht unser eigenes "Universum" zu erschaffen. Jan Gunnar Hoff ist ein Jazzpianist, aber er komponiert in einem Stil, der durchaus als klassisch definiert werden kann, mit feinen Melodien und melodischen Improvisationen und mit seinen einzigartigen Kompositionen.
Wir möchten Ihnen ein genreloses musikalisches Erlebnis geben, in dem die Musik den Text erhebt und in der jeder von uns auf seine eigene Weise das Wesen, die Melancholie und die Schönheit der Musik in dieses undefinierbare Universum des Textes einbringt.

- Marianne Beate Kielland

Artist(s)

Jan Gunnar Hoff (piano)

Jan Gunnar Hoff was born in Bodø in 1958 and began classical piano lessons at age ten. He studied in the jazz programme at Trondheim Conservatory of Music and later was a student of composition at the Norwegian Academy of Music. Since 1979 he has been a freelance musician, performing with international musical celebrities such as Alex Acuña, Mike Stern, Pat Metheny, Maria João and Marilyn Mazur. In 2014 he received the prestigious Buddy Prize, the highest distinction in Norwegian jazz, and the same year he was appointed an official Steinway & Sons Artist. He has performed in Los Angeles, New York, London, Zagreb, Milan, Stockholm, Moscow, Havana, Lima and Istanbul and has toured in Scandinavia, Japan and Eastern Europe. Hoff has released a number of critically acclaimed solo albums and has written over 250 works, among them, a commissioned work for the Vossa Jazz Festival and the choral composition Meditatus (2004), which received the Edvard Prize awarded by the Norwegian copyright organization TONO. He was arranger and artistic director for the Grammy-nominated album Quiet Winter Night (2L/Universal 2012). Among recent releases are Barxeta (Losen Records) with Acuña/Hoff/Mathisen, two solo piano albums on the 2L label, as well as Fly North (Losen), which was nominated in 2014 for Spellemannprisen, Norway’s Grammy. Jan Gunnar Hoff is professor at the Arctic University of Norway (UiT) and the University of Agder.

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Marianne Beate Kielland (mezzo soprano)

“A singer with such charisma challenged her colleagues.” (Dreh-Punkt-Kultur) Mezzo-soprano Marianne Beate Kielland is famous for her strong stage presence and musical integrity. Gramophone Magazine writes about her: “The mezzo-soprano is quite outstanding: strong, firm, sensitive in modulations, imaginative in her treatment of words, with a voice pure in quality, wide in range and unfalteringly true in intonation.” She graduated from the Norwegian Academy of Music, where she studied with Svein Bjørkøy. Her other teachers have included Oren Brown and Barbara Bonney. Considered today one of Europe’s leading singers, she performs regularly on major concert stages in Europe, America and The East with conductors such as Masaaki Suzuki, Andrew Manze, Petr Popelka, Michel Corboz, Leonardo Alarcon, Herbert Blomstedt, Jordi Savall, Rinaldo Alessandrini, Fabio Biondi and René Jacobs.
In 2012 she received a Grammy nomination in the category ‘Best Classical Vocal Solo’ for her recording of Veslemøy Synsk by the composer Olav Anton Thommessen. In 2021 she received a prestigious OPUS Klassik nomination in the category ‘Female Singer of the Year’ for her recording of Schumann Lieder. With more than sixty other albums in addition to a demanding concert schedule, Marianne Beate Kielland is established as an exceptional performer with a wide-ranging repertoire from baroque to contemporary.
Together with pianist Nils Anders Mortensen she has previously released 12 recordings on the LAWO Classics label: Früh (LWC1033), Sæle jolekveld (LWC1040), Grieg (LWC1059), Young Elling (LWC1072), The New Song (LWC1097), Whispering Mozart (LWC1111), Songs: Kielland/Dørumsgaard (LWC1145), Einsamkeit – Songs by Mahler (LWC1157), Eivind Groven Songs (LWC1178), Schumann Lieder (LWC1197) with baritone Johannes Weisser, and Så kort ein sommar menneska har – Songs by Gisle Kverndokk (LWC1220), and Sigurd Lie Songs, Vol. 1 (LWC1256).
In 2015 she released Påsketid (LWC1077) with violinist Elise Båtnes and organist Kåre Nordstoga, in 2017 Terra Nova (LWC1125) with composer and pianist Jan Gunnar Hoff, in 2020 The Lofoten Oratorio by Ketil Bjørnstad (LWC1202) with Lofoten Voices and MinEnsemblet, in 2022 Lamento (LWC1226), a collection of baroque laments, with Oslo Circles, as well as Jean Sibelius: Orchestral Songs (LWC1239) with the Norwegian Radio Orchestra.

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Composer(s)

Jan Gunnar Hoff (piano)

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Charles Hubert Parry

Sir Charles Hubert Parry was an English composer and historian of music. Parry's first major works appeared in 1880. As a composer he is best known for the choral song 'Jerusalem', his 1902 setting for the coronation anthem 'I was glad', the choral and orchestral ode Blest Pair of Sirens, and the hymn tune 'Repton', which sets the words 'Dear Lord and Father of Mankind'. His orchestral works include five symphonies and a set of Symphonic Variations. After early attempts to work in insurance, at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive Dictionary of Music and Musicians in the 1870s and 80s, and then in 1883 as professor of composition and...

Sir Charles Hubert Parry was an English composer and historian of music. Parry's first major works appeared in 1880. As a composer he is best known for the choral song "Jerusalem", his 1902 setting for the coronation anthem "I was glad", the choral and orchestral ode Blest Pair of Sirens, and the hymn tune "Repton", which sets the words "Dear Lord and Father of Mankind". His orchestral works include five symphonies and a set of Symphonic Variations.
After early attempts to work in insurance, at his father's behest, Parry was taken up by George Grove, first as a contributor to Grove's massive Dictionary of Music and Musicians in the 1870s and 80s, and then in 1883 as professor of composition and musical history at the Royal College of Music, of which Grove was the first head. In 1895 Parry succeeded Grove as head of the College, remaining in the post for the rest of his life. He was concurrently Heather Professor of Music at the University of Oxford from 1900 to 1908. He wrote several books about music and music history, the best-known of which is probably his 1909 study of Johann Sebastian Bach.
Both in his lifetime and afterwards, Parry's reputation and critical standing have varied. His academic duties were considerable, and prevented him from devoting all his energies to composition, but some contemporaries such as Charles Villiers Stanford rated him as the finest English composer since Henry Purcell; others, such as Frederick Delius, did not. Parry's influence on later composers, by contrast, is widely recognised. Edward Elgar learned much of his craft from Parry's articles in Grove's Dictionary, and among those who studied under Parry at the Royal College were Ralph Vaughan Williams, Gustav Holst, Frank Bridge and John Ireland.

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